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Casta diva

L'Amour et les Forêts

Casta diva is Bellini’s prayer in Norma, heard at a Paris farewell performance for Maria-Felicia Malibran. In the scene, the aria’s final accents coincide with an audience rising in acclaim, while the nearly dying singer is enveloped in a sense of immortality even as she believes she is simply singing.

The Performance

The performance takes place on a night when Paris shines at the Italian Theatre and Norma is being given. It is Maria-Felicia Malibran’s farewell evening. Casta diva is identified as Bellini’s prayer; the passage focuses on its last accents, placing the expression at the emotional crest of the performance.

Audience and Acclaim

As the prayer ends, the entire hall rises and calls Malibran back amid a glorious tumult. Flowers, bracelets, and crowns are thrown toward the singer. The response is collective and ceremonial: the audience’s acclaim turns the farewell into a public celebration of the artist.

Mortality and Immortality

The scene holds Malibran’s near-death and the audience’s adoration together. A feeling of immortality surrounds the august artist, who is almost dying and yet flees believing she is singing. Casta diva thus marks a moment in which performance and acclaim seem to lift a mortal singer beyond ordinary limits, even as the farewell makes her vulnerability unmistakable.

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